A lot of people get caught up in the little details when painting. By concentrating on exact and precise details you can be missing out on freer, more expressive strokes and paintings can end up being leaden and lifeless.
How to overcome this…
One way is to make yourself have less control. Try taping your paint brush to a firm, metre long stick, a metre ruler or piece of dowel is ideal. Tape the brush on firmly with masking tape and then apply the paint to your canvas with the brush, you will not have the same control, your works will be freer. Using a flayed twig is another good way to loosen up your mark making. Try using a different size brush, larger or smaller brushes so there is variety in your mark making. Happy Painting 🙂
‘The New Bridge Stretched Out Across the Bay’, Jane McKay, 75x75cm, 2010
Art Inspiration 13 – How to Skin Paint
Paint skins are areas of flat, dried paint that can be used as a collage material in your painting. They allow for flexibility and movement of the shapes in a composition. See Art Inspiration 13 How to Skin Paint for more details on creating paint skins and how to use them.
There are a few common mistakes that beginning painters make that will make it difficult to complete a work. Check out the new page on painting mistakes and how to fix them and see if you can finish that painting.
‘Sunshine Warmed the Six-Legged Cow’, Jane McKay, 75x75cm, 2010
Art Inspiration 11 – Mask making and Abstract Painting
Mask making, (no not the wearable kind), can be done by tearing up pieces of paper and laying them onto your canvas. Tear three sheets of paper from your artist’s journal. Tear each sheet by hand … see Art Inspiration 11 for more information.